Skip to main content

Posts

Love in the Afternoon (1957)

YOU KNOW WHO I AM MR. FLANNAGAN.       I'M THE GIRL IN THE AFTERNOON.       Ariane, in Love in the Afternoon               ★ ★ ★ Directed by BILLY WILDER Starring AUDREY HEPBURN and GARY COOPER Audrey Hepburn is Ariane Chavasse, the daughter of a french private investigator ( Maurice Chevalier ) who spends most of her time either practising the cello or reading her father's exciting case files. One of his current cases captures her attention: a handsome american playboy by the name of Frank Flannagan is driving a suspicious husband insane. Upon learning the jealous man plans to kill his wife's lover, Ariane instinctively tries to save Frank, thus creating the chance for romance to arise. He will feel drawn to her, seduce her, and she will resist; not because she's not interested, but because she's aware of his intentions and character: to him she's just another conquest, but to Ariane this man would be...
Recent posts

Sex and the Single Girl (1964)

THANK YOU FROM THE HEART        FOR LIVING DOWN TO MY EXPECTATIONS.       The Chief [to Bob Weston] in Sex and the Single Girl              ★ ★ ★ Directed by RICHARD QUINE Starring NATALIE WOOD, TONY CURTIS, LAUREN BACALL and HENRY FONDA So Sex and the Single Girl is a crazy, over the top, arrhythmic sixties comedy -- it's allowed . There's no point in trashing it for what it is meant to be. Still, if this doesn't sound like your poison, you should stay clear. Unless you find such a cast too good to dismiss, which were my thoughts exactly -- then it is definitely worth a watch. Either way, be prepared for a lot of nonsense. Bob Weston (Tony Curtis) is a sleazy reporter working for dirt magazine STOP, who has recently wrote a trash article on psychiatrist and author of love advice books for women, Dr. Helen Brown (Natalie Wood). The story was a success but he wanted to dig dee...

Review & Interview: American Psycho

AND AS THINGS FELL APART,       NOBODY PAID MUCH ATTENTION.        Talking Heads [novel's epigraph]               THIS ARTICLE IS PART OF THE FIVE OBSTRUCTIONS BLOGATHON .  The second obstruction consists in reviewing a film and conducting an interview about it -- extra points if the person you're interviewing in related to the movie. I've chosen my beloved American Psycho , since a dear friend of mine has very recently watched this bloody, cinematic gem.  In the late nineties, director  Mary Harron envisioned a film adaptation of  American Psycho - the highly controversial novel by notorious american writer,  Bret Easton Ellis . It follows the daily life of 26 year-old yuppie Patrick Bateman, from his meticulous morning routine, to his extensive office "work" on Wall Street in the eighties, fancy dinners, coke-fueled parties, and occasional homicides. Wait, ...

Morocco (1930)

Directed by JOSEF VON STERNBERG Starring MARLENE DIETRICH and GARY COOPER Legionnaire Tom Brown ( Gary Cooper ) and cabaret singer Amy Jolly ( Marlene Dietrich ) meet in Morocco, both running from their previous lives and distrustful of the other sex: he's a classic womanizer, she is emotionally hurt and consequently detached from men. There's also a rich man with a pompous name ( Adolphe Menjou ) who is interested in her and keeps getting in the way. But he doesn't really matter; not when two now legendary actors fall in love in an exotic setting. I myself am beginning to fall in love with these little affairs between Dietrich and her boy toys, who happen to be favorite actors of mine (first Grant , now Cooper, perhaps Stewart is next). Her dominance over them may not be as self evident as say, the one of Mae West , but it is there nonetheless, in the sheer intensity of her being which hypnotizes both men and women.   But her co-star is not far be...